AT MAYBECK

 

Concord #CCD-4572

Produced by Carl E. Jefferson

Recorded: Oct 18, 1992



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Credits:

Denny Zeitlin–Acoustic Piano

 



Track Listing:

1. Blues on the Side [Zeitlin] (3:34)

2. The Girl Next Door  [Blaine, Martin] (4:06)

3. My Man's Gone Now [Gershwin, Gershwin, Heyward] (8:47)
Soundclip: “My treatment of this piece attempts to evoke some of the feel of the Porgy and Bess orchestra, in a very free-form style.”

4. Lazy Bird [Coltrane] (2:45)
Soundclip: “Here’s a clip of Coltrane’s tune taken at a very fast pace.”

5. ‘Round Midnight [Monk, Williams,  Hanighen] (8:29)

6. Love for Sale [Porter] (6:06)

7. And Then I Wondered If You Knew [Zeitlin] (4:53)

8. Country Fair [Zeitlin] (4:56)

9. Sophisticated Lady  [Ellington] (4:50)

10. The End of a Love Affair [Redding] (4:35)
Soundclip: “I’ve loved this standard ever since I heard Art Blakey’s Jazz Messengers do it on a recording back in the fifties.”

11. Just Passing By [Zeitlin] (3:05)

12. What Is This Thing Called Love?/Fifth House [Porter, Coltrane] (6:09)



Reviews:

HARMONIA MUNDI JAZZ (France): An extraordinary pianist, of exceptional dimension…an absolute discovery. Denny Zeitlin is a veritable genius…”

BILLBOARD: “[Critic’s Choice: Highly Recommended]…the ravenous rhythms of ‘Blues On The Side’…the infectious changes of ‘Just Passing By’…a thunderous ‘Fifth House’…”

JAZZ AND BLUES REPORT: “Zeitlin, a gifted player with a well-integrated range of heartfelt jazz expressions and strong left-hand foundation, expertly and confidently executes four well-crafted originals among the 12 tunes, ‘Blues On the Side,’ ‘And Then I Wondered If You Knew,’ ‘Country Fair,’ and ‘Just Passing By,’ with the same vibrancy devoted to standards by Gershwin, Coltrane, Ellington, and Porter. An impassioned, delightful offering from a pianist conversant in the jazz tradition.”

BLACK & WHITE: “Denny Zeitlin’s ‘day job’ is teaching and practicing psychiatry, but from the first chord of At Maybeck, you know you’re in the presence of a master musician. Zeitlin likes to rearrange tunes to fit his personality (Gershwin’s ‘My Man’s Gone Now’ becomes a mini-concerto), but his phrasing has so much clarity and rhythmic energy that the listener is borne aloft on his novel variations.”

JAZZ (France): “Each time a new album of the Maybeck collection is released, we say to ourselves that it surpasses all that preceeded it. This one could well in fact surpass all that will follow it.”