| Denny's Trio performs All of You
Note: Depending on internet traffic, “loading” or “buffering” may display for some moments before video launch. If no video freeze-frame and controls appear, OR if you cannot get video to play, double-click on this link “I’ve been involved in trio performance since high school, powerfully attracted to the combination of piano, bass, and drums, and have recorded most frequently in this format. The piano, a “string-cussion” instrument, has an affinity for both bass and drums, and all three together ideally create an equilateral triangle of great flexibility, mutuality, and stability. With musicians of the caliber of Buster and Matt, the music is truly wide open and constantly evolving.” Denny Zeitlin
Denny Zeitlin, piano Pianist-composer-psychiatrist Denny Zeitlin first came to international prominence in the 60s with a series of ground breaking Columbia recordings. He has since recorded over thirty albums; twice won first place in the Down Beat International Jazz Critics Poll; written original music for Sesame Street; appeared on Network TV, including CBS Sunday Morning and repeats on the Tonight Show; and composed the critically acclaimed electronic-acoustic symphonic score for “Invasion of the Body Snatchers”. He has concertized throughout the U.S., Canada, Japan, and Europe, and has appeared with jazz greats such as Joe Henderson, Herbie Hancock, Pat Metheny, Bobby Hutcherson, Charlie Haden, Marian McPartland, David Friesen, David Grisman, and many others. He has led a succession of world-class trios since his recording debut in the sixties. His work prompted the Los Angeles Times to remark “ He is the jazz world’s most visible renaissance man—a full time practicing psychiatrist, a medical school teacher, and a world-class musician.” Buster Williams, bass / Matt Wilson, drums Buster Williams (left) and Matt Wilson (right) are on the “short list” of most highly sought jazz musicians in the world. In the many years of their contributions to the jazz scene, they have appeared on hundreds of albums and performed around the globe with players that constitute a “who’s who” of jazz. Buster Williams is particularly well known for his work with Sonny Stitt, Sarah Vaughan, Nancy Wilson, Miles Davis, and Herbie Hancock. His awards include a Grammy and a NEA grant. Matt Wilson has made contributions to a wide stylistic array of artists, including Dewey Redman, Janis Siegal, Michael Brecker, Fred Hersch, and Lee Konitz. In the late 90s, he was named “Best New Artist” by the New York Jazz Critics Circle, chosen by Downbeat Magazine as one of “The 25 for the Future,” and won first place in their critics’ poll in 2003-2006. In addition to their collaborations with other musicians, both Buster and Matt lead and record with their own groups.
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| Recent Live Trio Performances |
| “There was a sense of play, creativity and boldness; one felt the power of improvisation as a skill and as an almost philosophical endeavor.” |
| NEW YORK TIMES |
“Merging a 1960s-‘70s jazz sensibility with a profound awareness of classical-piano history and technique, Zeitlin remains a gloriously unconventional player. In general, he pursues an unlikely array of musical idioms, apparently oblivious to musical fashion or trend…exquisitely, uniquely Zeitlin.” |
| CHICAGO TRIBUNE |
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Latest trio recording: Slickrock (MaxJazz) |
| “Zeitlin remains an extraordinarily sensitive and brilliantly virtuosic pianist and composer, as attested to on his recent “Slickrock”. |
| DOWNBEAT |
| “Denny Zeitlin describes the strength of his music in his own words: ‘ a chance for players and listeners to lose themselves in delicious moments of discovery.’ And that is what happens when Zeitlin plays piano. He never fails to surprise listeners with unique approaches to songs that they’ve heard countless times…Zeitlin realizes his own vision in reshaping the music through a combination of detailed arrangements that paradoxically free the musicians to improvise with structured abandon…each of Zeitlin’s albums has created a cause for close-listening appreciation, as his levels of artistic expressions have remained of the highest value…[on his new CD] the trio plays as a cohesive unit as Zeitlin’s virtuosity spurs Williams and Wilson to a state of intense focus.” |
| JAZZREVIEW.COM |
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